In One Thousand and One Nights, there is this wonderful expression for addressing a loved one: to say “soul of my soul,” signifying the emptiness of living without one's love.
Through the sustained reading of One Thousand and One Nights, the creator learned that the relationship to the body is nothing without a relationship to the soul, though for some, sensuality seemed to be an excellent substitute for the soul. To embrace each other could be an innovative way of instilling in each other a drop of the white and cosmic soul that flowed into the primordial ocean before the world came into being.
We have here a perfume that speaks of the fire-god of Persia and the gods of India, the worship of offerings, Mesopotamia, milk and clarified butter to honor the gods. And to remember, by a wake in the air, the foaming whiteness of the soul that comes from everything. Here, perfume is soul, soul is perfume. A creamy explosion, where musk intermingles with iris butter and transmits the powerful balm of vanilla, followed by the friction of Tonka against benzoin.